Sculptures
Please scroll down the page to see a selection of my new work which is available for sale at this weekend's exhibition.
Millie at work in her studio
Please scroll down the page to see a selection of my new work which is available for sale at this weekend's exhibition.
ARTIST STATEMENT
Millie Wood Swanepoel is African, grew up on an isolated farm in Zimbabwe at a time when Africa was all that we image it to be. Since that time, the wildlife has diminished in numbers and Africa becomes more and more of a shell of what we envisage.
This is the heart of her work.
This is not a sad tale, rather one of appreciation for the wildlife that has withdrawn, of observation of the boundary between human and animal. The scope of both these themes has become wider and no longer entirely African.
Of animals, appreciation has often become loving humour that pursues the individuality, the character, the essence of animals, who use body language rather than words.
Throughout all this, it is the link between human and animal that is important; this link as a symptom of ourselvews. The more diminished this link, the more blind we are to ourselves. Animals provide a context for our own interactions and behaviour. They remain a part of our lives though often unseen and not thought of.
Her abstract bag-like work is often mixed media with found objects e.g. horns, teeth, bones, wood, bark, metal is incorporated into the finished objects. The bag-like pieces are a statement about how humans are able to make pouches or containers from a variety of materials including animal skin. There is also a mystery of what a bag could contain. This is food for thought.
TECHNICAL NOTES
All pieces are handbuilt and most are fired to stoneware. Sometimes paperpulp or fibre glass is mixed into the slip and then fired.
Millie Wood Swanepoel is African, grew up on an isolated farm in Zimbabwe at a time when Africa was all that we image it to be. Since that time, the wildlife has diminished in numbers and Africa becomes more and more of a shell of what we envisage.
This is the heart of her work.
This is not a sad tale, rather one of appreciation for the wildlife that has withdrawn, of observation of the boundary between human and animal. The scope of both these themes has become wider and no longer entirely African.
Of animals, appreciation has often become loving humour that pursues the individuality, the character, the essence of animals, who use body language rather than words.
Throughout all this, it is the link between human and animal that is important; this link as a symptom of ourselvews. The more diminished this link, the more blind we are to ourselves. Animals provide a context for our own interactions and behaviour. They remain a part of our lives though often unseen and not thought of.
Her abstract bag-like work is often mixed media with found objects e.g. horns, teeth, bones, wood, bark, metal is incorporated into the finished objects. The bag-like pieces are a statement about how humans are able to make pouches or containers from a variety of materials including animal skin. There is also a mystery of what a bag could contain. This is food for thought.
TECHNICAL NOTES
All pieces are handbuilt and most are fired to stoneware. Sometimes paperpulp or fibre glass is mixed into the slip and then fired.
Dancers, strictly is alive and well!!!!
High fired earthen ware with matt glaze
Price: £425
Size: 21 x 23 x 9"
Human & Bird mask
Exploring the relationship between human and bird
Stonware fired clay
Price: £295
15 x 10"
